{"id":12011,"date":"2024-12-16T22:12:03","date_gmt":"2024-12-16T22:12:03","guid":{"rendered":"https:\/\/kk26.dieservices.de\/?post_type=portfolio_item&p=12011"},"modified":"2025-10-28T00:46:59","modified_gmt":"2025-10-28T00:46:59","slug":"2021-10-debuet-als-koenigin-orasia-in-orpheus-von-g-p-telemann-mit-brock-orchestra-und-rene-jacobs-in","status":"publish","type":"portfolio_item","link":"https:\/\/kk26.dieservices.de\/en\/subject\/2021-10-debuet-als-koenigin-orasia-in-orpheus-von-g-p-telemann-mit-brock-orchestra-und-rene-jacobs-in\/","title":{"rendered":"G.P. Telemann ORPHEUS. European tour with the B\u2019Rock Orchestra and Ren\u00e9 Jacobs \u2013 October 2021. Debut as Queen Orasia"},"content":{"rendered":"

<\/span>
\n<\/span><\/p>\n

Experience the concert in Amsterdam on NPO Radio 4.<\/span><\/a><\/strong><\/p>\n

October 21, 2021 \u2013 De Singel Antwerp<\/strong>
\nOctober 23, 2021 \u2013 Concertgebouw Amsterdam<\/strong>
\nOctober 25, 2021 \u2013 Cologne Philharmonic<\/strong>
\nOctober 28, 2021 \u2013 Th\u00e9\u00e2tre Municipal Raymond Devos Tourcoing<\/strong>
\nOctober 30, 2021 \u2013 Gran Teatre del Liceu Barcelona<\/strong><\/p>\n

LLEGIR.CAT, Albert Mena – November 2, 2021<\/span><\/strong><\/a><\/span><\/p>\n

\u201eTres protagonistes estel\u00b7lars van fer explotar la nit d\u2019ahir: l\u2019ensemble B\u2019Rock Orchestra, el ja esmentat Jacobs i la soprano Kateryna Kasper com a reina Orasia. La soprano va mostrar un talent genu\u00ed per caracteritzar el personatge, aprofitant cada oportunitat que li brindava el text per oferir-hi detalls interessants, com a Furcht und Hoffnung, Hass und Liebe (por i esperan\u00e7a, odi i amor), on la soprano expressava el conflicte d\u2019emocions modificant el timbre amb qu\u00e8 emetia cada paraula, amb subtilesa variable per\u00f2 d\u2019alt\u00edssim voltatge dram\u00e0tic. Aix\u00f2 nom\u00e9s \u00e9s possible amb coneixement i control indiscutible de la pr\u00f2pia veu i Kasper sabia el que feia, amb greus sonors i aguts penetrants, coloratura precisa i variada (sabia atacar les notes amb staccato, fer filats sense vibrato, fer coloratura de microtimbres\u2026 tot un reguitzell de t\u00e8cnica que feia fondre les orelles) i una pres\u00e8ncia esc\u00e8nica encantadora.\u201e<\/span><\/p>\n

„Three stellar protagonists blew the roof off last night: the B\u2019Rock Orchestra, the already mentioned Jacobs, and soprano Kateryna Kasper as Queen Orfasia. The soprano displayed a genuine talent for characterizing the role, seizing every opportunity the text offered to add interesting details, such as in Furcht und Hoffnung, Hass and Liebe, where she expressed the emotional conflict by altering the timbre with which she delivered each word \u2013 with variable subtlety but of the highest dramatic voltage. This is only possible with knowledge and unquestionable control of one\u2019s own voice, and Kasper knew exactly what she was doing \u2013 with sonorous low notes and penetrating highs, precise and varied coloratura (she knew how to attack notes in staccato, let tones fade without vibrato, perform coloratura with micro-timbres\u2026 a whole array of technique that made the ears melt) \u2013 and a charming stage presence.“<\/p>\n

lavanguardia, Jordi Maddaleno – Oktober 31, 2021 <\/strong><\/span>
\n\u201eMagnific\u0430la Orasia de la soprano ucraniana Kateryna Kasper, aut\u00e9ntica protagonista de esta \u00f3pera en un argumento que gira entorno a su amor no correspondido por Orfeo. Voz plena, timbre incisivo y t\u00e9cnica impecable, recibi\u00f3 las ovaciones de la velada\u201e<\/span><\/p>\n

\u201cThe magnificent Orasia of Ukrainian soprano Kateryna Kasper, the true protagonist of this opera centered around her unrequited love for Orfeo. With a full voice, incisive timbre, and impeccable technique, she received the ovations of the evening.\u201d<\/p>\n

***<\/p>\n

bachtrack, Jens Klier – Oktober 26, 2021<\/strong><\/span><\/a><\/span><\/p>\n

\u201eUnverwechselbar ist auch Jacobs\u2018 barocker und besonders Telemannischer Stil durch das bewusst einjaulend lautmalerische Ansetzen der von den Gef\u00fchlen \u00fcbermannten B\u00f6sewichtin, der hier eindeutig die Hauptrolle zugewiesen ist und bei Kateryna Kasper eine Klasse f\u00fcr sich war. Sie sto\u00df ihre sentimentalen H\u00f6hen der verst\u00e4ndlichen Mord-Motivik, Zerrissenheit und Verzweiflung, mehr noch ihre Abgr\u00fcnde des berechnenden Anstiftens zum T\u00f6ten eben in dieser speziellen Artikulation und aller auf sich ziehender, bestimmender Pr\u00e4senz hervorragend aus und wirbelte im liebeskranken, divenhaften, kontraststarken, wahnsinnig gel\u00e4ufigen Umsichschlagen in beeindruckendem Registerumfang genauso ins gerechte Verderben der Orasia wie dadurch auf jeden Zettel eines Besetzers oder Agenten.\u201c<\/span><\/p>\n

\u201eJacobs\u2019s baroque, and especially Telemann-esque style, is unmistakable through the deliberately howling, onomatopoeic delivery of the villainess overwhelmed by emotions, who clearly takes the lead role here\u2014and Kateryna Kasper\u2019s performance was in a class of its own. She projected the sentimental highs of the character\u2019s understandable murderous motives, inner turmoil, and despair\u2014yet even more so the depths of calculating incitement to kill\u2014through this very specific articulation and commanding, all-consuming presence. In her love-sick, diva-like, highly contrasting, and impressively agile outbursts across a remarkable vocal range, she spiraled Orasia into a well-deserved ruin\u2014and onto every casting director\u2019s and agent\u2019s radar.\u201c

bachtrack, Nicolas Nguyen – 25 Oktober 2021<\/strong><\/span><\/a><\/span>
\n\u201eWith nine strongly contrasted arias, the role of Orasia is almost of Handelian format. Lyric soprano Kateryna Kasper projected the temperamental character with passion, sometimes calling on her chest register to distill some extra venom. She navigated her stylistically varied arias \u2013 two of which were in French and one in Italian \u2013 with unrestrained commitment. Her rendition of the coloratura-packed aria \u201cS\u00f9, mio core \u00e0 la vendetta!\u201d earned her loud applause from the audience. (\u2026)\u201c<\/span><\/p>\n

<\/p>\n

 <\/p>\n

\n<\/p>","protected":false},"excerpt":{"rendered":"

\"\"<\/a><\/p>\n

Experience the concert in Amsterdam on NPO Radio 4.<\/a><\/strong><\/p>\n

October 21, 2021 \u2013 De Singel Antwerp<\/strong>
\nOctober 23, 2021 \u2013 Concertgebouw Amsterdam<\/strong>
\nOctober 25, 2021 \u2013 Cologne Philharmonic<\/strong>
\nOctober 28, 2021 \u2013 Th\u00e9\u00e2tre Municipal Raymond Devos Tourcoing<\/strong>
\nOctober 30, 2021 \u2013 Gran Teatre del Liceu Barcelona<\/strong><\/p>\n

LLEGIR.CAT, Albert Mena – November 2, 2021<\/strong><\/a><\/p>\n

„Three stellar protagonists blew the roof off last night: the B\u2019Rock Orchestra, the already mentioned Jacobs, and soprano Kateryna Kasper as Queen Orasia. The soprano displayed a genuine talent for characterizing the role, seizing every opportunity the text offered to add interesting details, such as in Furcht und Hoffnung, Hass and Liebe, where she expressed the emotional conflict by altering the timbre with which she delivered each word \u2013 with variable subtlety but of the highest dramatic voltage. This is only possible with knowledge and unquestionable control of one\u2019s own voice, and Kasper knew exactly what she was doing \u2013 with sonorous low notes and penetrating highs, precise and varied coloratura (she knew how to attack notes in staccato, let tones fade without vibrato, perform coloratura with micro-timbres\u2026 a whole array of technique that made the ears melt) \u2013 and a charming stage presence.“<\/p>\n

\"\"<\/a><\/p>\n

lavanguardia, Jordi Maddaleno – Oktober 31, 2021 <\/strong><\/p>\n

\u201cThe magnificent Orasia of Ukrainian soprano Kateryna Kasper, the true protagonist of this opera centered around her unrequited love for Orfeo. With a full voice, incisive timbre, and impeccable technique, she received the ovations of the evening.\u201d<\/p>\n

\"\"\"\"\"\"<\/p>\n

bachtrack, Nicolas Nguyen – 25 Oktober 2021<\/strong><\/a>
\n\u201eWith nine strongly contrasted arias, the role of Orasia is almost of Handelian format. Lyric soprano Kateryna Kasper projected the temperamental character with passion, sometimes calling on her chest register to distill some extra venom. She navigated her stylistically varied arias \u2013 two of which were in French and one in Italian \u2013 with unrestrained commitment. Her rendition of the coloratura-packed aria \u201cS\u00f9, mio core \u00e0 la vendetta!\u201d earned her loud applause from the audience. (\u2026)\u201c<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

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